EMAC 2026 Slides — 20-Minute Presentation Script
SLIDE 1 — Title
Conference line: EMAC 2026 · DIGITAL MARKETING & SOCIAL MEDIA TRACK
Title: Anchors’ Voice Characteristics and Viewer Engagement in Live Streams
Author: Qingli Zeng Co-authors: with co-authors Sandeep Chandukala, Hai Che, Lifeng Yang Affiliation: Hebrew University of Jerusalem
SLIDE 2 — The puzzle
In live streaming, the anchor’s voice is the only continuous channel of communication.
- Hands are on the game — no text chat
- Face cam is small, often partially obscured
- Yet creators earn millions in subscriptions
How does how they speak — not what they show — drive viewer engagement?
SLIDE 3 — Why it matters
$20B+ global live-streaming market, growing 25% YoY
6–7 figures annual subscription earnings for top streamers
3 platforms Twitch, YouTube Gaming, and Kick competing fiercely
0 papers isolating vocal cues from other engagement drivers
SLIDE 4 — The live-streaming ecosystem
| Label | Description |
|---|---|
| Anchor | The streamer — the central performer whose voice is the only continuous channel of communication with viewers. |
| Video Game | The gameplay footage dominates the screen. Unlike traditional broadcasts, anchors compete with this visually engaging content for attention. |
| Chats | Real-time messages from viewers — our measure of immediate, impulsive engagement. |
| Sponsors | Subscribers paying recurring fees — sustained financial commitment, our second engagement outcome. |
| Free riders | Non-paying viewers who chat without subscribing — represent the bulk of the audience and shape collective sentiment. |
SLIDE 5 — Two kinds of engagement
| Immediate — Chats | Sustained — Subscriptions | |
|---|---|---|
| What | Real-time messages | Paid recurring commitment |
| Nature | Impulsive, social | Deliberate, financial |
| Drives | Community vibe | Revenue, loyalty |
These are not the same thing. They likely respond to different vocal cues.
SLIDE 6 — Framework
Anchors' Vocal Characteristics
- Positivity
- Stress
- Cognitive
→ moderated by: Chatroom Sentiment (above) · Channel Popularity (below) →
Audience's Engagements
- Chats (immediate)
- Subscriptions (sustained)
Controls: Linguistic: Anticipation, Hesitation, Concentration · Video: Dynamics, HSV · Audio: MOSNet, Harmonic
SLIDE 7 — Theoretical framework
Social Approval Theory — Bundy & Pfarrer (2015)
Emotional appeals receive higher evaluations → drives sustained commitment.
Social Influence Theory — Cialdini (2006)
Persuasion effects depend on social context → drives moderation.
Together: different vocal cues map to different engagement types — and the social environment shifts these effects.
SLIDE 8 — Three vocal dimensions
Dimension 01
Expressive Energy
enthusiasm, emotional intensity
Dimension 02
Stressed Tones
tension, pressure, audible effort
Dimension 03
Cognitive Tones
analytical thinking, information processing
Each carries a distinct social signal.
SLIDE 9 — Variable definition: Energy
Anchor’s vocal energy — enthusiasm, loudness range, and pitch dynamics in the audio signal.
- Low energy example — Flat, low-affect delivery → [media1.m4a]
- High energy example — Peak excitement, intense affect → [media2.m4a]
Aggregated per minute from second-level audio measurements; standardized within streamer to remove baseline differences.
SLIDE 10 — Variable definition: Stress Level
Audible vocal stress — indexed from jitter, shimmer, voice quality irregularities, and prosodic markers of tension.
- Low stress example — Relaxed, controlled phonation → [media3.mp4]
- High stress example — High tension, audible effort → [media4.mp4]
Interpreted as a signal of authenticity / emotional investment — see Finding 02.
SLIDE 11 — Hypotheses
- Expressive Energy → subscriptions, not chats
- Stressed tones → both chats and subs (authenticity signal)
- Cognitive depth → subscriptions (competence signal)
- Channel popularity moderates (halo for validated anchors)
- Chatroom sentiment moderates (positive vibe = less need for anchor energy)
SLIDE 12 — Data
Top 25 streamers, ~35% of platform viewership
1,000+ h of streaming content
Modalities
- Audio at 40,000 Hz
- HD video
- Chat logs (timestamped)
- Subscription records (timestamped)
Panel structure: streamer × stream × minute
SLIDE 13 — Empirical model
Negative Binomial regression with Gaussian Copula endogeneity correction
μᵢ,ₜ = βₐ·Audioᵢ,ₜ₋₁ + βₘ·Modᵢ,ₜ₋₁ + βᵢ·(Audio × Mod) + β꜀·Controlsᵢ,ₜ₋₁ + λᵢ + εᵢ,ₜ
Controls Video dynamics, visual attributes, audio quality, lagged outcomes, anchor fixed effects.
Why copula Addresses reverse causality (viewers shape anchor’s voice) without needing an external instrument.
SLIDE 14 — Finding 01 — engagement is not unidimensional
| Vocal cue | → Chats | → Subscriptions |
|---|---|---|
| Expressive Energy | ns (β=0.0037) | + β=0.0502*** |
| Stressed | + β=0.0037*** | + β=0.0377*** |
| Cognitive | ns (β=0.0118) | + β=0.0440** |
Two distinct psychological pathways:
- Chats — impulsive, social → triggered only by audible effort
- Subscriptions — deliberate, financial → require energy + effort + competence
*** p<0.01, ** p<0.05 (baseline NB + copula, no interactions yet)
SLIDE 15 — Finding 02 — the stress paradox
Contrary to intuition:
Stressed vocal tones positively affect engagement, both chats (β=0.0037) and **subscriptions** (β=0.0377).
Interpretation. One possibility: stress may signal authenticity and emotional investment — rewarded in a media landscape saturated with polished, edited content. But the mechanism warrants further investigation.
SLIDE 16 — Finding 03 — popularity moderates
Channel popularity (top-5 binary) reshapes both energy and stress effects:
| Interaction | β | What it means |
|---|---|---|
| Popularity × Energy → Subs | +0.0285* | Halo amplifies energy’s persuasive force on conversion |
| Popularity × Energy → Chats | −0.0177*** | Big crowds chat anyway — anchor energy matters less |
| Popularity × Stress → Chats | +0.0094* | Stress becomes a “rallying cry” in popular channels |
| Popularity × Stress → Subs | −0.0226*** | Established audiences want polish, not tension, for paid commitment |
Pre-validation by popularity flips how each vocal cue lands.
SLIDE 17 — Finding 03 (cont.) — sentiment moderates
Chatroom sentiment (NLTK on viewer messages, lagged) further conditions vocal effects:
| Interaction | β | What it means |
|---|---|---|
| Sentiment × Energy → Subs | −0.302* | Positive room ⇒ anchor’s energy adds less to conversion |
| Sentiment × Stress → Chats | −0.0090** | Positive sentiment slightly attenuates the stress→chat channel |
The social environment partially substitutes for what the anchor’s voice provides. Consistent with Social Influence Theory.
SLIDE 18 — Robustness
Copula correction is necessary
- Copula terms significant (p<0.05) → viewer behavior does feed back into anchor’s voice
- Without correction, audio coefficients would be biased
Lag sensitivity — re-estimated with two-minute lag (t−2)
- Stress and energy effects: stable
- Cognitive effects: attenuate
- Cognitive cues may be more transient than emotional ones.
Other robustness (in appendix)
- Alternative copula seeds, standardization choices, anchor-specific clustering — all consistent
SLIDE 19 — Strategic recommendations
| Audience | Strategy | Why |
|---|---|---|
| New anchors | Match sentiment | Sentiment amplifies energy → engagement for small audiences |
| Established anchors | Differentiate | Popular channels chat themselves; reserve energy for conversion |
| All anchors | Leverage stress carefully | Stress drives engagement, but excess tension hurts subs in big channels |
SLIDE 20 — New since submission — replication data
New wave: Nov 2025 — Jan 2026
1,138 Twitch VODs, ~22 TB of video
Storage: AWS S3; per-minute panel structure preserved
Purpose
- Demonstrate findings generalize over time
- Pre-empt reviewer concerns about a single time window
- Enable response to new variable requests (e.g., visual semantics)
SLIDE 21 — Methodology upgrade
From proprietary closed-box to open-source, fully reproducible pipeline.
| Construct | Original | New |
|---|---|---|
| Audio features | Nemesysco QA5 | openSMILE eGeMAPSv02 (88 features) |
| Video dynamics | SSIM only | SSIM + scene detection + CLIP embeddings |
| Audio quality | MOSNet | SQUIM + LUFS + voice activity + SNR |
| Linguistic controls | Chat sentiment | + transcript: speech rate, hesitations, lexical diversity, F–K grade |
Transparent, replicable, finer-grained, extensible.
SLIDE 22 — Validating the new pipeline
Factor analysis on the new wave (34,000+ minute-observations) recovers a 3-factor structure that mirrors the original:
| Factor | Top loadings | Interpretation |
|---|---|---|
| F1 | Formant amplitudes (F1, F2, F3 relative to F0) | Expressive Energy (loudness/projection) |
| F2 | Formant frequencies + unvoiced segment length | Cognitive Tones (articulation precision) |
| F3 | Alpha ratio, Hammarberg index, MFCC2 | Stressed Tones (spectral tension) |
Same 3-factor structure as Nemesysco — same constructs, transparent measurement.
SLIDE 23 — Per-minute feature snapshot
| Feature | Mean | SD | What it captures |
|---|---|---|---|
| LUFS loudness | −29.8 dB | 5.2 | Broadcast loudness (typical streaming range) |
| VAD ratio | 0.34 | 0.27 | Anchor speaking ~1/3 of the time |
| Speech rate | 80 w/min | 59 | Conversational pace, high variance |
| Lexical diversity | 0.64 | 0.16 | Type-token ratio in transcripts |
| Intra-minute SSIM | 0.62 | 0.17 | Visual stability across seconds within minute |
| Inter-minute CLIP cosine | — | — | Semantic shift between consecutive minutes |
Distributions are well-behaved and theoretically interpretable across all 1,131 streams.
SLIDE 24 — Contributions
-
Engagement is multidimensional Different psychological pathways for different behaviors.
-
Stress is not always negative It can function as an authenticity signal in digital communication.
-
Social Approval and Social Influence work together Main effects plus contextual moderation.
-
A methodological template For analyzing multimodal interactions in digital settings.
SLIDE 25 — Limitations & future research
Limitations
- Top-25 streamers — long tail
- Single platform (Twitch)
- Single category (gaming)
In progress
- Replication on 2025–26 wave (features extracted, regression next)
- Per-minute facial semantics (CLIP)
- Cross-category generalization (Just Chatting, IRL, music)
- Live broadcast vs. VOD viewer differences
SLIDE 26 — Thank you
Thank you.
Qingli Zeng · Hebrew University of Jerusalem qingli.zeng@mail.huji.ac.il