EMAC 2026 Slides — 20-Minute Presentation Script


SLIDE 1 — Title

Conference line: EMAC 2026 · DIGITAL MARKETING & SOCIAL MEDIA TRACK

Title: Anchors’ Voice Characteristics and Viewer Engagement in Live Streams

Author: Qingli Zeng Co-authors: with co-authors Sandeep Chandukala, Hai Che, Lifeng Yang Affiliation: Hebrew University of Jerusalem


SLIDE 2 — The puzzle

In live streaming, the anchor’s voice is the only continuous channel of communication.

How does how they speak — not what they show — drive viewer engagement?


SLIDE 3 — Why it matters

$20B+ global live-streaming market, growing 25% YoY

6–7 figures annual subscription earnings for top streamers

3 platforms Twitch, YouTube Gaming, and Kick competing fiercely

0 papers isolating vocal cues from other engagement drivers


SLIDE 4 — The live-streaming ecosystem

Label Description
Anchor The streamer — the central performer whose voice is the only continuous channel of communication with viewers.
Video Game The gameplay footage dominates the screen. Unlike traditional broadcasts, anchors compete with this visually engaging content for attention.
Chats Real-time messages from viewers — our measure of immediate, impulsive engagement.
Sponsors Subscribers paying recurring fees — sustained financial commitment, our second engagement outcome.
Free riders Non-paying viewers who chat without subscribing — represent the bulk of the audience and shape collective sentiment.

SLIDE 5 — Two kinds of engagement

  Immediate — Chats Sustained — Subscriptions
What Real-time messages Paid recurring commitment
Nature Impulsive, social Deliberate, financial
Drives Community vibe Revenue, loyalty

These are not the same thing. They likely respond to different vocal cues.


SLIDE 6 — Framework

Anchors' Vocal Characteristics

→ moderated by: Chatroom Sentiment (above) · Channel Popularity (below) →

Audience's Engagements

Controls: Linguistic: Anticipation, Hesitation, Concentration · Video: Dynamics, HSV · Audio: MOSNet, Harmonic


SLIDE 7 — Theoretical framework

Social Approval Theory — Bundy & Pfarrer (2015) Emotional appeals receive higher evaluations → drives sustained commitment.

Social Influence Theory — Cialdini (2006) Persuasion effects depend on social context → drives moderation.

Together: different vocal cues map to different engagement types — and the social environment shifts these effects.


SLIDE 8 — Three vocal dimensions

Dimension 01

Expressive Energy

enthusiasm, emotional intensity

Dimension 02

Stressed Tones

tension, pressure, audible effort

Dimension 03

Cognitive Tones

analytical thinking, information processing

Each carries a distinct social signal.


SLIDE 9 — Variable definition: Energy

Anchor’s vocal energy — enthusiasm, loudness range, and pitch dynamics in the audio signal.

Aggregated per minute from second-level audio measurements; standardized within streamer to remove baseline differences.


SLIDE 10 — Variable definition: Stress Level

Audible vocal stress — indexed from jitter, shimmer, voice quality irregularities, and prosodic markers of tension.

Interpreted as a signal of authenticity / emotional investment — see Finding 02.


SLIDE 11 — Hypotheses

  1. Expressive Energy → subscriptions, not chats
  2. Stressed tones → both chats and subs (authenticity signal)
  3. Cognitive depth → subscriptions (competence signal)
  4. Channel popularity moderates (halo for validated anchors)
  5. Chatroom sentiment moderates (positive vibe = less need for anchor energy)

SLIDE 12 — Data

Top 25 streamers, ~35% of platform viewership

1,000+ h of streaming content

Modalities

Panel structure: streamer × stream × minute


SLIDE 13 — Empirical model

Negative Binomial regression with Gaussian Copula endogeneity correction

μᵢ,ₜ = βₐ·Audioᵢ,ₜ₋₁ + βₘ·Modᵢ,ₜ₋₁ + βᵢ·(Audio × Mod) + β꜀·Controlsᵢ,ₜ₋₁ + λᵢ + εᵢ,ₜ

Controls Video dynamics, visual attributes, audio quality, lagged outcomes, anchor fixed effects.

Why copula Addresses reverse causality (viewers shape anchor’s voice) without needing an external instrument.


SLIDE 14 — Finding 01 — engagement is not unidimensional

Vocal cue → Chats → Subscriptions
Expressive Energy ns (β=0.0037) + β=0.0502***
Stressed + β=0.0037*** + β=0.0377***
Cognitive ns (β=0.0118) + β=0.0440**

Two distinct psychological pathways:

*** p<0.01, ** p<0.05 (baseline NB + copula, no interactions yet)


SLIDE 15 — Finding 02 — the stress paradox

Contrary to intuition:

Stressed vocal tones positively affect engagement, both chats (β=0.0037) and **subscriptions** (β=0.0377).

Interpretation. One possibility: stress may signal authenticity and emotional investment — rewarded in a media landscape saturated with polished, edited content. But the mechanism warrants further investigation.


SLIDE 16 — Finding 03 — popularity moderates

Channel popularity (top-5 binary) reshapes both energy and stress effects:

Interaction β What it means
Popularity × Energy → Subs +0.0285* Halo amplifies energy’s persuasive force on conversion
Popularity × Energy → Chats −0.0177*** Big crowds chat anyway — anchor energy matters less
Popularity × Stress → Chats +0.0094* Stress becomes a “rallying cry” in popular channels
Popularity × Stress → Subs −0.0226*** Established audiences want polish, not tension, for paid commitment

Pre-validation by popularity flips how each vocal cue lands.


SLIDE 17 — Finding 03 (cont.) — sentiment moderates

Chatroom sentiment (NLTK on viewer messages, lagged) further conditions vocal effects:

Interaction β What it means
Sentiment × Energy → Subs −0.302* Positive room ⇒ anchor’s energy adds less to conversion
Sentiment × Stress → Chats −0.0090** Positive sentiment slightly attenuates the stress→chat channel

The social environment partially substitutes for what the anchor’s voice provides. Consistent with Social Influence Theory.


SLIDE 18 — Robustness

Copula correction is necessary

Lag sensitivity — re-estimated with two-minute lag (t−2)

Other robustness (in appendix)


SLIDE 19 — Strategic recommendations

Audience Strategy Why
New anchors Match sentiment Sentiment amplifies energy → engagement for small audiences
Established anchors Differentiate Popular channels chat themselves; reserve energy for conversion
All anchors Leverage stress carefully Stress drives engagement, but excess tension hurts subs in big channels

SLIDE 20 — New since submission — replication data

New wave: Nov 2025 — Jan 2026

1,138 Twitch VODs, ~22 TB of video

Storage: AWS S3; per-minute panel structure preserved

Purpose


SLIDE 21 — Methodology upgrade

From proprietary closed-box to open-source, fully reproducible pipeline.

Construct Original New
Audio features Nemesysco QA5 openSMILE eGeMAPSv02 (88 features)
Video dynamics SSIM only SSIM + scene detection + CLIP embeddings
Audio quality MOSNet SQUIM + LUFS + voice activity + SNR
Linguistic controls Chat sentiment + transcript: speech rate, hesitations, lexical diversity, F–K grade

Transparent, replicable, finer-grained, extensible.


SLIDE 22 — Validating the new pipeline

Factor analysis on the new wave (34,000+ minute-observations) recovers a 3-factor structure that mirrors the original:

Factor Top loadings Interpretation
F1 Formant amplitudes (F1, F2, F3 relative to F0) Expressive Energy (loudness/projection)
F2 Formant frequencies + unvoiced segment length Cognitive Tones (articulation precision)
F3 Alpha ratio, Hammarberg index, MFCC2 Stressed Tones (spectral tension)

Same 3-factor structure as Nemesysco — same constructs, transparent measurement.


SLIDE 23 — Per-minute feature snapshot

Feature Mean SD What it captures
LUFS loudness −29.8 dB 5.2 Broadcast loudness (typical streaming range)
VAD ratio 0.34 0.27 Anchor speaking ~1/3 of the time
Speech rate 80 w/min 59 Conversational pace, high variance
Lexical diversity 0.64 0.16 Type-token ratio in transcripts
Intra-minute SSIM 0.62 0.17 Visual stability across seconds within minute
Inter-minute CLIP cosine — — Semantic shift between consecutive minutes

Distributions are well-behaved and theoretically interpretable across all 1,131 streams.


SLIDE 24 — Contributions

  1. Engagement is multidimensional Different psychological pathways for different behaviors.

  2. Stress is not always negative It can function as an authenticity signal in digital communication.

  3. Social Approval and Social Influence work together Main effects plus contextual moderation.

  4. A methodological template For analyzing multimodal interactions in digital settings.


SLIDE 25 — Limitations & future research

Limitations

In progress


SLIDE 26 — Thank you

Thank you.

Qingli Zeng · Hebrew University of Jerusalem qingli.zeng@mail.huji.ac.il